About Flute Masters
Flute Masters was founded in 1992.
Since its establishment, our repair department has handled more than 10,000 flutes. By our third year, the number of instruments serviced had already reached 1,000.
As a company devoted exclusively to flutes, we have restored countless instruments that could not be handled anywhere else — including many rare and historical models from overseas.
From renowned pieces over a century old to instruments whose origins are long forgotten, we gained deep knowledge and honed our craftsmanship through each encounter.
Over the years, we faced and solved numerous technical challenges that had puzzled flute makers worldwide —
from rust-prone shafts and knocking pins, to issues with key operation and unstable pad adjustment.
The modern Flute Masters flute was born from these efforts to overcome such problems.
We developed a stainless-steel shaft that resists corrosion, enhanced with a titanium coating,
and adopted an all-pinless system to eliminate faults caused by traditional knocking pins.
Attention was given to every detail — the ergonomics of key design, the contour of the cup, and the stability of the pads.
At the same time, we are deeply committed to the pursuit of sound.
A musical instrument is born through the collaboration between the maker and the player.
We believe this bond is created by the craftsman and nurtured by the musician.
A newly made flute is never truly “complete” —
it grows and matures under the player’s care,
developing a voice that reflects their artistry: bright and vibrant, or calm and resonant.
At Flute Masters, we continue to create instruments that are meant to be nurtured —
flutes that live, breathe, and evolve together with their players.
Compeny History
Founded on December 3rd in Komi, Kosai City, Shizuoka Prefecture by three retired Yamaha engineers — Toyoda, Nojima, and Noya.
With over 20 years of experience each, they combined their individual expertise to establish a company specializing in flute repair.
This marked the beginning of Flute Masters.
Expanded services beyond general repair to include modification and tuning.
In August, exhibited at the 6th Flute Convention (Hiroshima) — the first booth at the convention dedicated exclusively to flute repair, highlighting its importance and potential.
Began piccolo tuning services.
In November, relocated from a small office to a new facility in Mikahi-cho, Hibisa-gun, Shizuoka Prefecture, equipped for manufacturing — the first step toward becoming a full-fledged flute manufacturer.
Launched flute production in January, introducing models made of Ag925, Ag970, and K14.
In August, exhibited at the 7th Flute Convention (Kobe), showcasing two silver and one gold debut models, receiving high acclaim both domestically and internationally.
Began exporting overseas to Taiwan and Germany.
In December, a new management system was established.
Mr. Noya retired, and the company was restructured under President Yoichi Nojima and Vice President Keiichi Toyoda.
Introduced the Piccolo Masters Tune, an upgraded version of the previous tuning system.
Released the 10th Anniversary Model.
Released the Standard Model and renamed the previous model the Mastermade Model.
Added seamless tubing to the 970 series and began exporting to China.
Started exports to South Korea.
In November, moved into a newly constructed office building in Nii-cho, Hamana-gun, Shizuoka Prefecture.
Entered the U.S. market and expanded throughout Europe.
Released the M970SB, featuring Ag970 seamless tubing in the B-type design.
Launched the Hideaki Sakai Masterclass.
Released the Purest 997B, a B-type flute using Ag997 in the 997 series.
Launched the Jun Sugawara Masterclass.
Released the 15th Anniversary Model.
Expanded the flute school business by adding a lesson room on the second floor of the new building.
The company was reorganized under a two-leader system with Yoichi Nojima and Keiichi Toyoda.
Launched the Mastermade Piccolo, a premium model featuring new 14K gold-seamed tubing.
Announced a new headjoint cut — the Superior Sound (SS) design.
Celebrated the 20th Anniversary with the Masters Player Concert and announced a Premium Model.
Announced the M925S, adding the Ag925S Seamed Tube Series.
Opened Gallery Tokyo.
Mr. Toyoda retired, and a new management structure was established.
At the 17th Flute Convention (Hamamatsu), exhibited pink ivory and kingwood piccolos.
Introduced headjoint variations with new cut types (C, M, S) and announced the Max Series.
Held the 25th Anniversary Ceremony and unveiled the commemorative model “Phoenix.”
Announced the Castello Piccolo.
Released a new Standard Model.
Celebrated the 30th Anniversary in December.
Announced the Student Model, commemorating the 30th anniversary.
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